Reviews

Going out in style, Holy Holy's 'Grand Hiatus' shows have been a celebration of everything they’ve built.

By the time 'Diving Woman' crashes into its final, thundering chords, we’re no longer inside a venue. We’re in Michelle Zauner’s universe: romantic, weird, luminous, alive.

This was a performance of fragility and control, intimacy and grandeur, warmth and distance, held together by Gibbons’ unmistakable voice.

In a magical set, Jessica Pratt proved that she isn’t a performer in the theatrical sense; she’s a conjurer.

This wasn’t just ANOHNI’s last performance in Australia with The Johnsons. It was an elegy for the Anthropocene.

For roughly an hour and a half, the crowd was gripped in a vice-like magnetism normally reserved for rituals long deemed forbidden.

It was hard not to feel like this, in a formal concert hall with a full orchestra, was where this band, and these songs, truly belonged.

Beneath the chaos, 'Beetlejuice The Musical' invites us to consider the afterlife, offering a whimsical yet poignant reflection on how we navigate life.

The highlights of this year’s BASSINTHEGRASS festival at Mindil Beach in Darwin.

“Now seems like a good time to tell you that this is our 50th time playing in Melbourne.”