Reviews

Reviews / Album

Album Review: Edward Deer - About Monsters

The most rewarding aspect of About Monsters is the compositional quality of the songs and the way Deer complements his acoustic strumming with loops, strings, percussive quirks and electronic backdrops.

Live Review: Fishing Sign To Yes Please Records

Thanks to their remix work and first single 'Oooo' Fishing have been signed to Sydney music label Yes Please Records.

Reviews / Album

Album Review: Bonnie Raitt - Slipstream

Slipstream could have been another income earner for a career that has spanned five decades yet instead feels fresh and contemporary.

Reviews / Album

Album Review: Band Of Horses - Mirage Rock

What makes it so right this time around? The music is still that alt.country-flecked Southern racket, well-thought and well-played. It’s perhaps a little more approachable, certainly more consistent.

Live Review: WATCH: Azealia Banks '1991' (Official Video)

The chameleon Azealia Banks hits us all up with the last clip off her '1991' EP; its title track '1991'.

Reviews / Album

Album Review: Amanda Palmer & The Grand Theft Orchestra - Theatre Is Evil

The genius thing about this album, and indeed Palmer herself, is that there doesn’t seem to be any genre that is out of bounds, the end result being a new, nameless genre unto itself. It’s an intense ride, and a lot of fun.

Reviews / Album

Album Review: 8 Ball Aitken - Alive In Tamworth

What’s missing is a bit of rawness to make the home listener feel part of the crowd.

Reviews / Album

Album Review: The Amity Affliction - 'Chasing Ghosts'

Australian music is in a good place.

Reviews / Album

Album Review: The Darkness - 'Hot Cakes'

Back with more of the same.

Live Review: LISTEN: Elizabeth Rose 'Again' (Feat Sinden)

British disco master Sinden, has come on board to help bring the new Elizabeth Rose single, ‘Again’, to an astonishing new level.

Web Story / Gallery

Backstage @ Drunken Moon Festival

Pic by Jay Hynes

Web Story / Gallery

The Arsonist @ Rosemount Hotel

Pic by Brad Serls

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