Reviews

"Like everything on Japanese/American multi-instrumentalist Kishi Bashi’s latest album, the spelling of Lighght is definitively precise"

"easily her finest yet"

"they’ve instead approached White Women with a more widescreen view, and sound all the better for it"

"this is a solid, likeable record from a part of Australia we don’t hear enough of"

"a reflection of how deep the local talent pool is"

"Made In Japan has always been a contentious release."

"There’s just too much to dig here"

"The Irish folk singer returns with songs that are noteworthy for their skeletal, laid-bare arrangements"

"A distinct lack of douchebags and a heavy lean towards covers – ‘90s R&B and dance in particular – on top of the eclectic line-up meant that GTM 2014 was spot-on."