Woman In Gold

During WWII, the Nazis committed innumerable crimes against humanity, one of which was property theft, particularly artworks, many of which remain unrecovered. Woman In Gold tells the true story of a woman’s attempt to rectify this.

The film is the story of Maria Altmann (Helen Mirren), an Austrian refugee who fled to America during WWII. In 1998, Altmann seeks out inexperienced lawyer, Randol Schoenberg (Ryan Reynolds) to begin a case against the Austrian government to reclaim stolen family artworks. One painting in particular becomes the centre of controversy, a painting of Maria’s Aunt Adele, otherwise known as Gustav Klimt’s masterpiece, Woman In Gold.

The film is engaging on multiple levels. Effective drama is created as the case builds and impressive flashback sequences to WWII Austria provide emotional weight as we share the experience of Maria’s struggles and losses. There’s also a sense of levity through naturally comedic character interactions, working wonders with the serious subject.

Mirren is great as always, colourfully portraying Altmann with sharp wit and emotional depth. Reynolds impressively plays against type bringing endearing awkwardness, drive and genuineness with excellent chemistry with Mirren. Daniel Bruhl and Max Iron are solid, while Tatiana Maslany proves excellent as the young Maria, proving why she’s one of the best young actresses today.

Ultimately, Woman In Gold is a well-crafted, heartfelt drama anchored by good performances.