Album Review: Kiki Gyan - 24 Hours In A Disco: 1978 - 82

7 January 2013 | 4:46 pm | Bob Baker Fish

Then of course there are Gyan’s incredible keys, which really elevate the tunes from the more derivative commercial disco of the time.

Osibisa were an Afro pop band of Ghanaian descent that formed in the UK and became huge in the '70s. They were one of the first African bands to cross over into the mainstream, touring the world and enjoying considerable success. Though not a founding member, Ghanaian Kiki Gyan joined the band in the '70s and quickly became renowned for his keyboard lines, often referred to as Africa's answer to Stevie Wonder because of his prodigious talent.

In 1979 he left Osibisa to pursue more lucrative session work and to begin a solo career, recording the title track of this collection, 24 Hours In A Disco, with a 16-piece orchestra, an upbeat slab of disco funk with his distinctive vocals, which fall somewhere between the Bee Gees and Curtis Mayfield. It charted in both the UK and US.

He subsequently married Fela Kuti's daughter, released two albums and got himself addicted to narcotics, which eventually curtailed his recording career. This collection pulls together some of his best work with his two bands, The KG Band and The Twins. The music is very much influenced by the disco craze at the time as Gyan was shooting to become the next Boney M. Yet there are also links to his Ghanaian past, particularly in terms of the hand percussion used in many of the tunes, often during the breakdowns. Then of course there are Gyan's incredible keys, which really elevate the tunes from the more derivative commercial disco of the time. The solo on the super slick Pretty Pretty Girls is a case in point; it's hypnotic stuff, deceptively simple and it barely registers until it's over. But then that was his genius. Everything fitted perfectly.