Self-described as “balls-to-the-wall guitar rock mixed with power-pop sensibilities”, the emphasis of Blood And Lemonade is purely on the pop. If you squint and look real hard, you might find a hint of power, but there’s very little in the way of balls. American Hi-Fi write glisteningly pristine pop, then layer the production to homogenise things that little bit more. None of that is necessarily a bad thing – just don’t go into this album expecting any edge or authenticity. It’s pop, and you can turn it up loud without offending even your most conservative neighbours.
Luke Girgis Pulls Back The Curtain On The Brag Media In New Book
