Originally from Adelaide, Tyler Jenke is a Melbourne-based journalist, author, and musician with more than a decade of experience in writing and publishing. Having originally created an exhaustive database dedicated to triple j’s Hottest 100 countdown, the past six years have seen them working as a prolific writer across websites such as Tone Deaf, Billboard, and Music Feeds, with three years spent as the Editor of Rolling Stone Australia. Outside of the world of the written word, you can often find them researching obscure music facts, working on their own musical career, collecting copious amounts of vinyl, tapes, and CDs, or simply situated in the front row of a live concert.
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"Any fragment of a relationship I could have had with anybody in my family was forever ruined, and it caused a lot of pain and it caused a lot of hurt," Eden explains in new podcast, 'The Moment It Changed: Touchdown.'
As Naarm/Melbourne quartet Assteroid unveil their self-titled debut EP, Penny Walker-Keefe shares an in-depth track-by-track journey through its '90s-influences cuts.
“I know the whole community looks forward to this game and not just black fellas, it's a great example of what our kids can aspire to be as artists, as footballers, and anything else they want to be," says Briggs.
After seven years, Support Act has officially expanded its Wellbeing Helpline to cater to all workers across Australia’s diverse creative industries.
Described by Sigur Rós bassist Georg Holm as "almost an inevitable thing to happen," the lush experience of Sigur Rós' orchestral tour finally makes its way to Australia this month.
"Whether we like to admit this or not, ritual humiliation of young singers was kind of part of this," remembers former 'Australian Idol' judge Ian ‘Dicko’ Dickson.
"'The Moment It Changed: Touchdown' exposes the confronting truth about what happens behind the scenes [of TV singing competitions] and how we've all been played.”
“We’re the most locked in we’ve been in years on stage, and when we’re in this mode, no one does it better," Illy says.
“Having led the way on the development of the National Cultural Policy, Revive, we look forward to working with the Minister on the future evolution of the policy,” said Live Performance Australia’s Chief Executive Eric Lassen.
Australia’s most valuable music prize is back for the first time since 2022, with entries for the Melbourne Prize For Music now open.