Sean Maroney, Journalist

"Infinitely complex in the strange world we live in, it is infinitely entertaining in its glitter-splattered soiree."

"Seductive, steamy and out of control, lovers of farce should rush to the New Theatre."

"Gina Schien's script has delightfully original intentions as it navigates a day at the races (how 'Strayan) for a lone lesbian, Helen."

"Its greatest success was to at least transcribe old poetry into the midst of a boring two hours."

"Carbee is a fantastically weird specimen on the stage, and his transformations between characters leave interesting threads of similarities between them."

"For a touching, apt, and visceral analysis of queer male identity from 1958 through to today, this is unmissable."

"We see a man fixed to a couch, fixed to his weight, set fixedly upon one inevitable end."

"It's a bittersweet relationship when the joy of young writing is shaded with inexperience."

"The ludicrous journey of two men trying to form a human bond amid global catastrophe. They are underhanded, deceptive, sincere and silly."

"It promises to be a cornerstone of Sydney Festival's energetic programme."

"They dance, they drink, they 'act', they 'cry'. It's experimental theatre cum performance art cum fun — and a truckload of that last one."

"It is a fresh take on the horrors of war and what they might look like to a woman provocatively — and sombre too."