Sean Maroney, Journalist

"A boy ran across the road in front of me. Metres from my car. I almost hit him. If you had hit him, if you had, would you have stopped?"

"It wants to tell its story and doesn't deign to listen to how it could best do it."

"A piece of truly unique theatre."

"The script is well measured and wrings out the heart's sympathies. It is conventional, yet a local and humbly delivered cry."

"My Zinc Bed is suitably light entertainment."

"We, the lost company is something special."

"A theatrical space where blood, with all its connotations of family, lust, and passion, is given generously."

"The audience was thrilled at the ride."

"Ignore the price tag. This is an all out romp. Indulge in the Opera House at its sexiest and most seductive."

"Ibsen's play is dark, dank and dreary. It is archaic if not manipulated carefully."

"Phillip's conceptualisation peels off Australia's thick, sandy skin and exposes the skeletal structure of prejudice and wrongness."

"For fans of film noir, this show is a gold mine of gritty cop action."