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been too spiteful or anything, but I do think the thing is that the tone is really different here in Australia, there's the whole tall poppy thing here where

with part two now making this become a musical whole. In many respects the tone of the album is delivered in a way that assumes the listener is accustomed with

sound is something very unique to Zombie . It has got heavy industrial and metal tones mixed with enjoyable, easy going rock and roll and an element of electronic, which leaves

second track, and essential single, Heal grooves with a more danceable and overall happier tone than that scene can comprehend without multiple layers of irony. Not that irony ... present; a cheesy, almost stylophone reminiscent tone pulses throughout the song, and how seriously are we supposed to treat a repeated refrain of “ Baby you know I'm for real

fuzzed-out grooves (as good as any) took over. Showing off some perfectly refined tones, the single launched tonight, Freedom Please, ensured more beer found its way onto the floor

without even trying to indulge in twangy leanings. Opening number Blue Apia sets the tone with really basic instrumentation and almost no drums, letting Boyd deliver short couplets of inconsequence