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Melbourne lads opened with 21CC , and played other favorites like Plain Cheese and Tone Kings. Strings were broken, beers were drunk and all had a good time. Thrash and punk

keyboard. She begins solo with  On The Borderline , which works quite well, setting the tone for the rest of the set. The problem here is that what's on offer

bigger; daddy-issues-hand wringing and bouncing-off-buildings each more extreme; and the tone of the constant comedy ever zanier. Sort that hair out Foxx - PRONTO! When trying

Arrowhead aptly set the tone for the night upon hitting the stage, getting straight into a solid half-hour of doom-laden stoner rock. The most impressionable of the Sydney

full-length goes to the drums. Holy fucking shit! For starters, the drum-tones are just about perfect. No matter what else is going on around these sonic beauties

measure. Though the mix on early songs is unfavourable, frontman Scott Gellatly's gravelly tone, reminiscent of Scott Weiland, brings a prowling energy to the performance as closer Mossman builds ... Numbers , a track that bears so much familiarity to the former's rhythm and tone it's almost inexcusable, though the five-piece, ably led by fold-back straddling frontman