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Homemade wine bottle-neck guitar slides, filthy overdrive tones and thumping drums, Little Hurricane's brand new follow-up is a shining example of progression in songwriting, production and performance

tenth Sydney Comedy Festival Gala. Captain of this flight towards hilarity, he set the tone for an important comedic discovery only a line-up this large could justifiably evidence: planes

guitars, microphones and a sprinkling of harmonica – was more bluesy than expected, and the tone suited him well. Early on in his short set he swung into a stripped rendition

Absolution ' is equally best song on the record. Its  catchy, yet serious, dark tone of retribution really stands out among the rest. And that lead guitar work, while ... While, v ocalist  Russ Rankin  (from  Good Riddance ) only has one tone and pitch, but hey, it gets the job done! With each song sounding quite similar

sequence of keyboard chords, and thus, inviting in sunny sounds and bright tones, which dot the remainder of the song. For quite a physically long track, it doesn’t really

tiny sounds, and I think it’s the simplicity of the tones that forcefully comes together for this almighty package of sound, beats and melodies. Words by  Caitlin Medcalf

through Anticon. The sounds within the song seem to grapple between these unimaginably cold tones and with the unusual clicks and clacks that make up the harsh ocean waves. Similar ... spine-chilling, but this really only adds to the harsh reality of the tones. BATHS seem to always find a way of taking it up a notch, because the almost