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times looked more like a space battle than a festival stage it was a sight to behold. Unfortunately, the Sydney producer's mix wavered between hit and miss as oddly ... again at the beginning of day two, the odd few who forget that weekend festivals need some form of pacing is inevitable, but having the first day starting

might lack in subtlety, it certainly makes up for in creative extravagance. The Sydney Festival presents  Tree Of Codes until 10 Jan at ICC Sydney. This review was first

what may be the campest and most entertaining way to start 2018. Sydney Festival presents  RIOT  until 28 Jan at Magic Mirrors Spiegeltent, Meriton Festival Village, Hyde

final, immaculate product. Having played a few shows around Sydney in 2017, including  VOLUMES festival, it's clear the trio are slowly but surely finding their feet

multiple  BIGSOUND showcases as well as shows around Sydney, and even performed at  The Plot festival. Signed to the legends at  EMI , she's got a serious

helps. After this lesson was learned, it was time to enter the festival. Going to see new artists is always a luxury. They seem to possess a refreshing lack ... from the group and we started the day with Ocean Alley , a Sydney-based six piece, who delve into the depths of Psych-reggae. They gave a mellow and well

recent single Future Heroine. As the rain poured down and the ponchos came out, Sydney via UK collective Winston Surfshirt appeared onstage ready to reap the rewards of debut album ... white Sambuca the whole time and then proceeding to share it with the audience. Festival favourites The Smith Street Band continued their reign as the most endearing band in Australian

increasingly in the mainstream of Australian electronic music- is Sydney based producer CHRISTOPHER PORT . Sydney has always had a strong pool of talent, home to world renown acts such ... edgy, and raw electronica in a live setting at the annual multi-venue, Volumes Festival. It was a set that was not only edgy, but also informative. The rave-infused