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years but to be honest we're more stoked about what Australia's own Tones & I  achieved on the US Billboard Top 100 this week.  After first ... breaking run in Australia and notched up a 20th-straight week in top spot. Tones & I will return home next February to tour the country in support of Laneway

discussed the other week , Tones And I is a big success story. She's become a runaway success in both Australia (she currently has the longest-running number-one single ... Whitney Houston and Rihanna), while plenty of other international markets are jumping onto the Tones train too - Canada, Norway, Sweden and the list goes

compilation (#38), following the passing of singer Marie Fredriksson . Over on the Singles chart, Tones & I holds steady at #1 with Dance Monkey after smashing a huge UK record

officially the year of Tones & I . The Byron Bay-based artist’s global megahit Dance Monkey has held onto the top spot on the UK Singles chart ... weeks, meaning Tones & I now holds the record for most weeks at #1 on the chart by a female artist . The previous record was held by Rihanna ’s Umbrella

does it understand human language like English, French or German – it responds to tone, intonation, kindness and vulnerability. These ideas translate to all people, all over the world. I think

semi-deathcore metalcore world of a few years ago, and barring their usual cleaner tones and melodic passages, this is a tougher-sounding but quite safe return for Reflections

incredibly bright, female-powered future for Australian music. Embedded Content Cub Sport, Ruel, Mallrat, Tones And I: With the social media domination in music at the tail-end of this ... musicians whose careers extend for years and years. Cub Sport, Ruel, Mallrat and Tones And I are artists that have seen the highs - and often the lows - of stan culture

which has moved from #10 to #3.  It's another massive week for Tones & I  over on the Singles Chart, with the Byron Bay artist hitting

rehabilitating the image of the Catholic Church. To add to the weird tone, it’s genuinely strange to see — especially on the heels of François Ozon’s By The Grace