"Hello Humans was a perfect title for the run of shows, as no one from this planet could be that talented or weird."
If Reggie Watts approached you on the street and began muttering segments from his live show, you’d most likely back away carefully from the oddly dressed man-child in front of you and yell for help.
It’s an interesting breed of part-improvised musical humour that places the US comic into a unique category. Without his humour, he’d still likely pack out theatres throughout the world with his musical knowledge and ability, leaving punters in jaw-dropping awe most of the set by layering sampled beats, beat boxing and haunting vocal melody. Watts’ musical intro was about as epic as a finale, and from there things only got better. Throw away the music and you’d still have enough rambling and witty tangents to fill a set.
Speaking in a number of different languages and accents – sometimes multiple in one confusing sentence – he urged punters to record his set. “I don’t know what the fuck I just did. It’s nice to have a record,” he muttered after an impressive musical tangent. And that’s what made the night so great; knowing the talent being unleashed onstage was fresh, original and downright absurd.
Hello Humans was a perfect title for the run of shows, as no one from this planet could be that talented or weird.