Features / Music

No stress, no studios, no time constraints... Ned Collette discusses his latest release with Wirewalker.

"'Up' and 'left' sound like directions, but also like a ‘Dear John’ letter... Later our friend Evan [Dando] also said it’s where your heart is – up and left.”

A divine voice and an ability to write great songs without really trying has put Australian in New York Nadia Ackerman in a great place, though it didn’t happen overnight, as Michael Smith discovers.

"I’m not an idiot, when you put on the record you can hear a soul side, but I think there’s a different intention behind it, too,” Lance Ferguson of The Bamboos talks about escaping pigeonholes.

"We’d book time in a studio because I’ve always had this inability to feel comfortable singing my guts out in Ash’s spare room while the rest of the family are watching Family Guy in the next room.”

An unexpected delay in recording the album he’d intended gave Hugo Race the chance to explore his favourite love songs, he tells Michael Smith.

It took several years, but Canada’s Silverstein have finally embraced their inner cover band. Brendan Crabb keeps it short and sweet with vocalist Shane Told ahead of their return to our shores.

Inspired by the rocket-fast sellout tour supporting The King of Limbs LP, we take a look back at Radiohead's Modern Rock Masterpiece Kid A.

The National's Matt Berninger has contributed to the Game of Thrones soundtrack. Hear the sorrowing song here.

Sore testicles and ?uestlove's brother-in-law are amongst the highlights on the latest leg of Last Dinosaurs' Eurotrip.

SPA Confidential has needs. Can you fill the position?