Jackson Langford, Journalist

It's a true luxury when a pop debut comes along that is so fully realised and so well-fleshed out as SAM BLUER and 'Shift' is.

We know that G Elenil's rocket ship is built on struggle, and that rocket ship is soaring to new heights - leaving her troubled past in its wake.

It shouldcome as no surprise that Cattleyard would book some extremely talented women that were always destined to outshine everyone else.

Chymes might enchant and hypnotise you with their magnetic chemistry on 'Dreaming', but you'll come out the other side more awake than ever.

'Mr. La Di Da Di' sees Baker Boy inject an extra spring in his step on his journey to conquer the world with his music and his charm.

Matthew Young's 'Fix Me Up' is a crunchy, slow burning, pop jam that only tastes sweeter with every listen.

Val Flynn has created a deliciously-addicting earworm with 'Stuck On Repeat' that is both endlessly relatable and electrifying.

'Middle Ground' is a fruity and delicious cocktail, served by CLYPSO and Kwame, that goes down easy but still packs a mighty punch.

It's a long way down, but Haiku Hands and 'Jupiter' prove that this band will not stop until they've reached the highest of heights.

Timi Temple's clever and nuanced look at the comfort of home against the allure of escape on 'Coming Home' sounds both beautiful and purposeful.

From G FLIP to Manu Crooks, here are our picks for unmissable up-and-comers you can and should see at this year's Splendour In The Grass 2018.

There's something so beautiful yet so seemingly bleak about the way NARDEAN has constructed and crafted 'Nothing Matters'.