Julie Fenwick, Journalist

It was late March of this year when I first saw the tattoo covered, pink bobbed, sportswear clad producer, playing at well-known Melbourne bar, Workshop.

Yaeji, New York and Seoul-based producer, embodies the slow, undulated rap of 21 Savage and unapologetic, grunge of Yolanda Visser from duo Die Antwoord.

A tipsy day at the spa. Not your usual recipe for success, but in CONFIDENCE MAN's case, I guess it was. Listen to their new single 'Better Sit Down Boy'.

You’d have to wonder how someone has that much vitality let alone how they keep their material continuously fresh. Folamour doesn’t seem to have a problem.

Kllo's 'Nylon' 'is about disorientation when growing older, but with a mind still too young to take on the serious commitments of what's in front of you.'

Holed up in their Collingwood Studio over the Winter SHOUSE return from their not-so-sleepy hibernation with Openshouse #3.

Reinvention is great but old is not always bad. How can it be when ‘Run For Your Life’ was written on a used $200 piano purchased off Gumtree?

How does one manage to integrate a dozen genres into one? It’s a hard question but an easy one to answer when listening to NOCTURNAL TAPES debut EP.

MEN I TRUST’s most recent release ‘Tailwhip’ is a placid mix of electronic and disco, a cool call to escape whatever confines you’re in.

It’s the new music video for SLUM SOCIABLE’s ‘Castle’, the second taste off their Self-titled, Debut Album, which (drumroll) will be released October 13th.

FOLAMOUR has given birth to a child of Disco and House in his new EP 'The Power and Blessing of Unity'. Give it a listen.