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The big singles from 'Bliss Release' all sounded as exciting, wonderlike, and mysterious as ever, but it was the deeper cuts that stood out here.
A once-in-a-lifetime experience, homegrown metalcore icons Parkway Drive make a triumph return to home soil, hitting up the Sydney Opera House for a black-tie affair, complete with symphonic orchestra.
It was hard not to feel like this, in a formal concert hall with a full orchestra, was where this band, and these songs, truly belonged.
Good Things has become a wonderful staple of the heavy music festival calendar. Not even the rain and the heat could detract from what was a - for the most part - fun day.
Heilung’s performance lived up to its ritual billing: a collection of tribal songs and dances, each hypnotising the assembled.
A lot was “underground” about Teenage Wrist’s first Sydney show.
As the setlist unfolded, each song was greeted with genuine cheers for both new and old material, a testament to the enduring appeal of Blind Guardian's music.
P!nk is changing what it means to be a pop star, and if this tour is anything to go by, she’s also changing what stadium performance looks like.
After several decades in the cultural wilderness, Ghost are getting heavy music culture back on track.
“If you have a problem and you want to scream about it, just scream."