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Conversely, there’s those things almost perfectly of the now. The electronic soul-ish tones of Basenji’s Petals (Future Classic), with Adam Tucker of Scenic providing the vocals could

lost in. From the opening shimmering chords of the track, and her dulcet tones,  Julietta sashays her way through 'Goosebumps', inviting you in then slamming the door when ... beginning, under the atmospheric sounds, breathy vocals and delicate keys, set the tone for the track as the sounds begin to swirl and grow, hypnotising you with it's ethereal

track ideally. Nice pulls guys, nice pulls. Finally, there is this omnipresent tone running throughout ‘ Black Label ’, which can only really be described as this weird, dirty...darker…experimental hardcore

meaningful, cinematic vibe as ‘Framed’ is far from a corny track. ‘Framed’ sets the tone for the whole album. Following the emotional adventure the band took to record

when his name came. He was close to home, he gets great tones, he’s a guitarist and our music is very guitar heavy, he can mix it well

billowing dynamics and endless depth of his reverbed harp to the bright angelic tones of his voice — it’s largely all gone. Mercy is full of stripped-back love ... songs, saccharine yet cold, and although there’s a lightness to the tone (the album is largely a positive one as opposed to You Are All I See ; a more

slow, hopeful and uplifting feel to it, it changes the album's tone before building up; leading to a monolithic ending. The serenading lines, “I stare at the light

Tokyo open with Weight Of The World , featuring Ian Kenny’s unmistakable clean vocal tone making a b-line directly to your ear drums. Once the initial enthusiasm

Official Fightstar Page on Tuesday, June 2, 2015   // Carl Bown - great at tones and sandwiches. #TreeHouseStudios #Album4 Posted by Official Fightstar Page on Thursday, June

noise boffins Fuck Buttons) unleashes a dynamic and surprisingly dancefloor-friendly statement. The power tones and almost guitar-like distortion on tracks likes Detritus are simply unlike anything else

shows the band leaning more to their psychedelic folk side than the sometimes country tones of earlier. There’s the new clip to go with it, and although it reveals ... mechanical melodies and a kind of awkward clockwork dance. Emily Haines has the wispy tones of one of those girls who’s fronted so many such machine-led noises since

their adored presence felt, especially in the case of vocalist Matthew Wright whose angelic tone soared effortlessly. Phantoms carried on in this captivating atmosphere and clearly showcased the band