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straight from ' Diamond Eyes '-era Deftones ) and it recalls the sound, delivery and tone of Glassjaw's brilliant singles, ' All Good Junkies Go To Heaven ' and ' You Think ... record's mid-point. This is a quieter, darker lapse in the record's tone and pace thus far, but is a necessary moment for the wider release overall

band under his wing more or less) due to their arrangements, song structures, guitar tones, choruses and melodies. Which can all be seen in the band's three

title track or ' Ersatz '. Not only that, but the duo's actual bass tones are to fucking die for here, good god! Of course, the bass is just ... string assault, and he often steals the show right from them. Much like the tone of the basses,  Lematua's  drumkit itself sounds terrific throughout the whole

hooks of Jimmy Eat World and Taking Back Sunday and mixed in the tones and dynamic post-rock sounds of Moneen or the wider instrumental shades  Explosions

middle of the road, with what sounds like simulated amps for the guitar tones and AutoTuned vocals at times, and the overall structure of the album supports this ... none are memorable or momentous. The band is solid - take or leave the instrument tones - and the entire album is well-played. Those who are hoping to hear a triumphant