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cries his way throughout the track. It's that kind of brittle tone - grainy and unlike most voices on the rock/metal scene nowadays - that draws you in and really

theme of the record, they wanted the album to have a vintage lived-in tone and for the textures to have more depth and detail. We are always open

that showcases his versatility with elements of gospel-infused folk, soulful R&B tones and powerful crooning vocals. Of his closer, the uplifting Passport Home , Cooper tells

aforementioned moral panic era of the late 20th-century; setting the thematic tone for the ten songs to come perfectly so. Aside from maybe showing that GosT  sure

trying to see who else was out there that actually practised their instrument and tone of choice. What was often lacking, however, was a sense of unity; a ‘sound ... moment of every song feeling well constructed and carefully planned out. Even the punishing tones of opener ‘ Luminary ’, or the edge-of-your-seat urgency of the new and improved

solid drumming to mould an insane amount of tension. It’s how the rich tones of  Hulett's bass and  Butler's guitar have clearly been laboured over ... swing and strike together through these grand upheavals of chaotic guitars, layers of dissonant tones and screeching feedback, pounding drums and sombre vocals talking of numbness and succumbing

quite  the same. This is something larger in scope, something deeper in tone and something far more atmospheric in sonic character than all that's come before