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yourself. ‘ Baptize ’ is 15 songs long, exhausting given its trend-chasing style of pop-metal. It has the same issue as ‘ For Those That Wish To Exist ’: an epic ... same without them . The lo-fi intro riff to ‘ Dead Weight ’, before that synth sub-bass comes in, sounds like something straight out of 2002 . But then

culture has made music and art so easily accessible that it's all now "pop." That everything is commodified, no matter how genuine; an album whose perspective is "everything ... pearly white gates, it's with falling keys, noise-fuckery, power-electronics, amp feedback, sub-booming kicks, and intimate vocal crooning, all reverberating and layered over each other, announcing that