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Reviews
Reviews / Live
Live Review: The Cairos, Noire, Yeevs
"Let’s hope it’s a last tour reminiscent of old mate Johnny Farnham’s."
Reviews / Live
Live Review: Courtney Barnett, Cloud Control, Wil Wagner
"'I fucking love her. She's so fucking cool,' - a chick wandering up the aisle states aloud what we're all thinking."
Web Story / Gallery
The 1975 @ Thebarton Theatre
Photos by Kerrie Geier. Support: The Japanese House
Web Story / Gallery
The 1975 @ Festival Hall
Photos by Andrew Briscoe
Reviews / Album
Album Review: Sal Kimber & The Rollin' Wheel - Southern Light
"A warm, breezy and welcoming record that steers clear of the Nashville clichés."
Reviews / Album
Album Review: Night Beats - Who Sold My Generation
"Hazy reverb, filthy rhythms and spiralling guitars that would go well with a side of Napalm and cheers of youthful revolution."
Reviews / Album
Album Review: Promise & The Monster - Feed The Fire
"...evoke[s] images of elfin magic and dark fir woods in winter. Absolutely delicious."
Reviews / Arts
Ladies In Black
"There's some terrific, light-hearted misandry in there, too, among the glimpses of womanhood and feminism in the '50s."
Reviews / Album
Album Review: Nevermen - Nevermen
"A sonically diverse, inherently bizarre exploration of everything from hip hop beats to psych rhythms."
Reviews / Arts
This Is How We Die
"Christopher Brett Bailey offers an admirable portrayal of what it is like to feel something — disdain, disgust, disinterest — by a talented but emotionless mimic."
Reviews / Live
Live Review: Joanna Newsom
"As a severe thunderstorm ensued outside, the sheltered and attentive audience was swept away on an odyssey of modern psych-folk."
Reviews / Album
Album Review: Money - Suicide Songs
"Money's second album Suicide Songs is a lesson in not judging a book (or record) by its cover."
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