Album Review: White Summer - What I've Been Waiting For

Jimmy Stanfield's raw, furious, heavily blues-infused vocals pulsate through this bass-driven EP's four tracks that convey a distinctly grimy aesthetic. It draws from '60s and '70s classic rock influences through long segments of wailing guitar solos and occasionally a retro '50s rock sound. Prowling single, Head In The Sand,isdefinitely the standout, effectively marrying a light, playful riff with a prominent, grinding bass line. Angst and energy are cranked up in the chorus, evoking an expressive grunge aesthetic while maintaining that incredibly hairy, swampy sound. They play Ding Dong Lounge 23 Nov.