With the follow-up to last year's self-titled debut LP, the Brooklyn four-piece still feel a little like they're finding their feet, probing the different possibilities of how to make a corner of this lovable loser summer pop their own. It's a crowded little scene but after three back-to-back bangers to open, tracks like Mermaid – monstrous and retaining all the fizziness for the rest of the record – and Unwanted Place are the more successful explorations, the latter a return after the album had slowly pealed itself apart to the point of barely breathing on Loretta's Flowers.
