From the moment the pounding, artificial bass beats began, Sleigh Bells knew this was their night.
In an odd prelude to the noise ahead, co-tour promoters I Oh You kicked off with a 'DJ' set. But simple song sequencing and no hint of input from the beer-drinking duo on stage does not make an opening act. This was made all the clearer by Vampire Weekend's BAIO taking the stage afterwards and actually mixing songs together to create a seamless 40-minute blend of pop, electronica and deep house. The first hour of the night was a shining example of the difference between DJs and those who 'like to DJ at parties'.
DZ Deathrays, though, served as the perfect appetiser for a noise pop show. The duo's thrashy, guitar-and-drum rock sound needs to be heard live to be appreciated. Far dirtier than other two-piece rock outfits, the group's sound was miraculously large for their size. Bloody and passionate vocals round out this twosome, who're easily one of Australia's best rising groups.
From the moment the pounding, artificial bass beats began, Sleigh Bells knew this was their night. Opening with hard rocking Demons, the duelling guitarists showed off how to bring the noise to noise pop – but it was vocalist Alexis Krauss who stole the show. Gyrating and moshing on her own on stage as she belted out cheerleader pop lyrics, Krauss was a perfect frontwoman. Lush, complex lighting interrupted by blinding white strobe effects had the band performing in silhouette for much of the show, and managed to emphasise the sheer volume of the set. The three were in fine form for the hour, never stopping to breathe. Loudness pollution complaints from neighbours and temporary (if lucky) hearing damage for the crowd were just the price of admission to see modern noise pop mastery at its most powerful, intimidating and ultimately joyful.