Ballet can be like jazz – a form that seems to have extreme barriers to entry if you've never been in the 'in' crowd. Certainly, it's a form that's ornate, precise and somewhat abstract for those of us used to facing paced multi-model storytelling, but it's a nice change to be allowed to drift and imagine as an audience rather than needing to scroll, search and remember to press 'like'. Chroma begins with dancers on a 'blank canvas' stage, minimalist in its approach and delivered through orchestral workings of music by British screen sound composer Joby Talbot and digital pop/rock music denier Jack White. The latter is the Gen X/Y drawcard and a bit of a trip – the familiar chord pattern makes for interesting listening when played by brass and co, and the athletic prowess of the classical dancers is certainly a first for music that is usually accompanied by a modest indie crowd two foot shuffle. Worth experiencing, though. The second set is more old school with Mozart dominating the soundscape and the expected (if understated) traditional tutus and high jumps in place. Unexpected, and wonderfully warm, was the humour in this section – a welcome to those who are seeing this as Ballet for Beginners, as well as a reward for the faithful fanbase.
Sydney Opera House to 17 May
