There's something rotten in Denmark when someone like Pete Doherty starts pumping out music that seems like it was recorded with Blur at the mixing console. Sequel To The Prequel has a quality that harks back to the heyday of Britpop, bizarre as that may sound. Be that as it may, this is a blaster of a pop album, Doherty's vocals slurring over jangly guitars with kicking drumbeats. Less shambolic than Down In Albion or Shotter's Nation, this album may alienate die-hards, but with work this measured, why would Babyshambles care?
