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80 Minutes No Interval

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"Extended blackouts? There. A plot that somehow ends up in space? Oh yeah that's there. Music made with broken glass? That's there too."

Travis Cotton's newest play 80 Minutes No Interval takes everything everyone hates about the theatre and makes it funny. Extended blackouts? There. A plot that somehow ends up in space? Oh yeah that's there. Music made with broken glass? That's there too. And it's there to shine a light on the pretentiousness of our industry — because theatre can be fun too. And this one is a heck of a lot of fun.

We meet Louis (Ryan Johnson), a character who is, was, and will always be unlucky. He loses the engagement ring at the restaurant where he plans to propose to his girlfriend, he loses his job as a theatre reviewer to a little red box, he loses his flat, because his parent's think it's time he finds his feet — and gets out of their flat. And then when presented with an opportunity he could only dream of — to have his book published — he loses that too, in a moment of generous absurd slapstick.

The whole cast play up their characters for laughs, brutal laughing-at-ourselves laughs. Cotton directs his own play to a fast pace, making us feel tenderness for Louis (but never sad), and rarely letting a joke leave the stage without a chuckle. This is a play that pokes fun, nay, is fun, helping make theatre watchable again.