'We Want Our Records To Be Played On The Radio In 20 Years Time'

Django Django are now three albums deep into a career that started with a bang when they released their debut self-titled album, garnered a Mercury Prize nomination and set off on a two-year world tour. That segued straight into the follow-up album Born Under Saturn, which nearly derailed the band entirely when they hit breaking point. Now they've regrouped, built a studio and rediscovered the essence of their music - that dizzying blend of electronic pop, surf guitar and postmodern psychedelia. "Now we're back into it and excited again!" says Maclean.

With the stage beckoning, he admits that the band are always a bit edgier when taking out new songs for the first time, adding that they need to be worn in. "It's always a bit nervy playing them the first few times so they'll have to settle in a bit and they'll keep changing and morphing and getting better and better until you kind of go on autopilot a bit and then you can sort of enjoy it and just relax and get in the groove a lot more."

Marble Skies finds the band sounding more settled and focused than ever before and Maclean pinpoints a greater confidence in how they work together. "We're definitely getting a bit more confident, but you don't want to get carried away just because you can do something. We don't want to get obsessed with the techniques. On the first record we didn't know what we were doing and that was all we needed at the time. Our songwriting is getting better and we strive to keep working because we want our records to be played on the radio in 20 years time, like Gerry Rafferty or Blondie or Cat Stevens," Maclean enthuses.

In hindsight, Maclean sees some mistakes with the recording of their previous album Born Under Saturn. "With the last album we went to Angelic [Residential Recording Studios], which was the keyboardist from Jamiroquai, Toby Smith's studio. It was a huge studio in the countryside and I guess we felt a little out of our depth as we hadn't written any songs before we went there," he laughs. "We ended up being in the communal living room all the time, writing songs, even though we were paying thousands a day for the whole place. It's not really in the spirit of where we came from or how I grew up, with a four-track making music. We were more comfortable this time," says Maclean, referring to the experience of recording in their own new studio.

One of the key characteristics of the band's sound is the fusion of different genres using organic and digital instrumentation. "I think I've always been quite good at finding threads in different music. I remember listening to Public Enemy when I was younger and having that eureka moment realising they were sampling Jimi Hendrix licks and mixing in beats; even looking at their production style and the similarities to what The Beatles were doing. These were all people just experimenting creatively. All music is a lot more connected than people think."