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Machinedrum

Machinedrum

Travis Stewart, better known as Machinedrum, is an American electronic record producer and performer from North Carolina. He is also known as Syndrone and Tstewart. He is one half of Sepalcure, with Praveen Sharma, one half of JETS, with Jimmy Edgar, as well as half of Dream Continuum with Jim Coles, a.k.a. Om Unit.

Albums

2001 Now You Know
2002 Urban Biology
2004 Bidnezz
2006 Cached
2009 Want to 1 2?
2011 Room(s)
2013 Vapor City
2014 Vapor City Archives
2016 Human Energy
2020 A View of U
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Latest Articles

Features / Music
Machinedrum links up with Rosie Lowe for energetic new single, What Is This
The US producer digs further into his Human Energy sound for his second single of 2017..
Features / Music
Machinedrum releases synth-heavy new single, U Betta
The guitar-infused single is his first since last year's impressive Human Energy record..
Features / Music
Machinedrum And The Journey To Human Energy
We chat to the American producer off the back of his latest album, Human Energy..
Features / Music
Premiere: Nina Las Vegas' takes Machinedrum's Angel Speak straight to the future-club
And both artists have a bunch of shows coming up in Australia..
Reviews / Album
Album Review: Machinedrum - Human Energy
"Instant dancefloor gratification as the dude gets his happy on."
Features / Music
Electric Feels: Our fave new electronic tunes this week
This week's column includes tracks from Chrome Sparks, Machinedrum, Oh Boy and more..
Features / Music
Listen to Angel Speak, a new cut from Machinedrum
The Dos Puertas follow-up features Beyonce collaborator MeLo-X..
News / Music
Let Them Eat Cake Detail 2016 Line-Up
A slew of internationals taking to the Werribee Mansion lawn
Reviews / Album
Album Review: Machinedrum - Vapor City
Taking us from the ghettos to the affluent suburbs, Vapor City offers deep immersive listening.
Reviews / Live
Live Review: Machinedrum
The delicate and glistening vibes did nothing to foreshadow what became a dangerously hard-hitting set.
Features / Music
Inside The Machine
“I think it’s necessary for artists to learn how to abandon their art and not hold on to it so strongly over time."