PPCA

“We have secured more royalties for local artists, but the Tribunal’s ruling proves definitively that we cannot negotiate a fair market rate for artists while the statutory 1 per cent cap remains in place,."

"This proposal masquerades as a 'productivity measure' when it prioritises the commercial interests of global technology companies over Australian workers and industries."

“I’m really excited to join ARIA and PPCA, given the important role they play in supporting Australian music,” Esmore said.

Vote Music 2025 is a call to action that urges the country’s political parties to commit to a stronger future for Australian music, whatever the result of the May federal election.

Lynne Small has announced her exit from both ARIA an PPCA, having spent 28 years working with the organisations.

The Senate committee has 'kicked the can down the road', but the findings were not unanimously supported.

PPCA CEO Annabelle Herd tells TheMusic.com.au it “seems like a bit of a no-brainer” to change the way radio pays for the music it airs.

The fight between commercial radio and the music industry has never been fiercer, but how did it degenerate into a schoolyard slanging match?

"I’m not thinking of me after 53 years in the business; it’s for our future creators, keeping them going."

“ARIA and PPCA look forward to working closely with Music Australia on the urgent priorities of growing export and addressing discoverability."

“The radio caps are unfair and anti-competitive."

Lindy Morrison (OAM), former drummer for iconic Brisbane band The Go-Betweens, has been re-elected to serve another term on the PPCA board.