Kyle Fensom, Journalist

LALKA gives pop its radical edge back with 'Shut Up', an incendiary expression of defiance in which she finds her own voice amidst chaos

No Mono continue to unveil the corners of their collaboration with 'Frostbitten', capturing the shock of a personal crisis in a cathartic plateau.

The Goods ooze late night confidence on the third single from their upcoming debut EP with the stylish futuristic funk of 'Faster'

M.I.L.K.'s 'Slow Emotions' gears the ambition of the project in a more lowkey direction with a sensually playful track about climate change.

Deer's single-by-single approach to releasing music sees his exploration into experimental pop production deepen with his first single for 2018, 'Lost'.

Manu Crooks' 'Different League' reflects the ambition that the international ambassador for Australian hip-hop feels during this surreal point of his career

Dianas deliver a refreshingly off-kilter take on your standard choreographed dance music videos with the visuals for 'Leave Love'.

MEZKO's video for 'Come & Go' pays tribute to the gender-blurring icons of 70s glam rock, delivering a stunning celebration of androgyny

Ross From Friends signs to the Brainfeeder label and delivers 'John Cage', pushing his lo-fi house into more hip-hop and bedroom pop territory.

Snail Mail sets herself up to release one of 2018's most anticipated debuts by sharing 'Pristine', the most perfect indie rock song you'll hear this year.

Let's Eat Grandma draw you into a surrealistic, off-kilter world with the gorgeous 'Falling Into Me', the second single from their upcoming album