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sensibility at play. Vocalist/keyboardist Jess Amory is a stunning (and talented) frontwoman, her sweet tones perfectly complementing those of vocalist/percussionist James Tyrell. You can tell from the get-go that

happiest people in the world, are wildly technically proficient and loyal to the original tones of the tracks. It becomes a guessing game as the group take on the sounds

quartet fill the space pretty quickly, the thick drone of opener, Witch , setting the tone for the rest of the evening; loud, impassioned and with all the fat trimmed. Drug

something outside of me, but what would be the point? I admire the confessional tone, and to go in the other direction would be to make mindless pop music. There

past my mind’s eye as time seems to stand still. While MAUS' pastel tones drag you deeper into his dream, a window opens to this wondrous place - a cerebral

vocals that are especially distinctive and affecting – with a husky quality and a tone that is familiar, though I can't put my finger on who it is reminiscent

album hits its first snag due to the lack of deviation in the guitar tones, which after sixteen tracks, regardless of length, become a little draining. As mentioned before however

others. " Master/Slave " is Whips/Chains monstrous debut 12"EP. Taking no time to set a tone, opener " Secular Front " crawls through a wreckage of noise before breaking into a D-Beat

lonesome, but is a really unique concept that feeds into the mystifying, dream-like tone of this track. Overall, the EP makes for an interesting listen especially when

demonstrate an infectious raw energy. Elsewhere, this is heard in Storms , where the band tone down the overwhelming amount of sound, allowing her vocals to weave between the layers