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with its building guitar riffs and progression into heavy guitar work, which sets the tone for the album. It's a simple introduction but an affective one none the less

tape so you get all the beautiful warmth- M: And all those really nice tones that you get from tape that you won’t get from some digital. But then ... tape compression is a complex thing, it actually makes guitar tone sound a lot more clean.. We’re getting too technical, anyway [laughs]. The album deals with quite Dystopian

heavier emphasis on chordy guitar and a combination of dark and light keyboard tones, blended into a dreamy '80s sound. The synth-pop of Vis A Vision certainly evokes

hitting drums giving the tunes urgency. Second local support, Iowa , continue the thick guitar tones with more of an indie sensibility, creating an impressive wall of sound for a three

performance. Armed only with a guitar, the man captivated us with his growling low tones and amazingly steady high-ends. He was certainly a delight to watch and a welcome

opened with the impossibly brilliant opening title track from I Sea Seaweed . Swirling apocalyptic tones filled the Metro Theatre as Gareth Liddiard spun tales from another world. The band

curious: yes, Tumbleweed have still fucking got it. Scuzzy Sydney retro rockers Los Tones brought a decent set to kick things off, and despite outfits so incredibly hipster it bordered