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strong mob when they announced their last song. Nic soothed them with his dulcet tones, and after stumbling over his closing line intimated, “I fuckin' hate banter!” Ruby Boots drew

seasons of which are now available on DVD. Slightly futuristic in their tone and style, each Black Mirror story explores how aspects of technology – be it social media, interactive entertainment

Cochrane (Mushroom Promotions), Chryss Carr (Aum PR), Cushla Aston (Artists Management, NZ), Sarah Guppy (Tone Deaf), Lorraine Barry (Artists Management, NZ) Artists and industry professionals alike can take full advantage

with every shift in emphasis. Stephanie Lake's lithe and exacting choreography sets the tone with its snake-like ability to change tempo and theme in a blink. It creates

feels a lot longer. Opening track Square works as a manifesto for the tone of the whole record, Berckelman lamenting that, “Filthy thoughts/Filthy hands/Filthy mouth/Make me feel so square” over

harp and effortlessly amazing choir-boy falsetto, which occasionally bottoms out into rich, deeper tones. The audience is mesmerised and it's likely that by now most are imagining that

three new band mates, while the title track returns to the fat, punishing guitar tones once the Magic Dirt legend has shown she can be sweet and feminine too with

refracted and mixed with unusual colours and are never less than arresting. Bass tones shudder up through your shoes and slabs of synth pad push the limits of what ears ... know the right frequencies to push and to which levels. Their complex layers of tone and filtered sounds clash brilliantly with the visuals; no sci-fi landscapes here, just deep