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Rendezvous and Personal Fantasy Wonderland letting off jammy-vibes. While a slightly tighter guitar tone might have helped the songs breathe a bit, there's enough variance to keep things

Several things about the set-up of Rod Laver Arena immediately set the tone for the night's show: the obviously lowered stage, additional rows of plastic chairs in lieu

vocal influence from late '80s pop queens - the dizzy embellishments of Kylie, speech-level tones of Madonna, and energy driven power screams of Cyndi. People eventually start to pile

actually a song about Failr losing someone very close to him. The raw tone of Brave’s vocals help to tell this story, giving it a personal touch. Produced

unforgiving but also spellbindingly brilliant. Smith's wife Elena Poulou adds haunting electronic tones to a mix that's dominated by thumping rhythms and Peter Greenway's lead guitar

cello taking turns to shine in the spotlight and wrap around Milosh's soothing tones. Trying to keep to the short set, they can't decide if they should play

brutalised subjects of the experiments. Carrasco makes them screech and scream in cruel, discordant tones. However, the music is more tediously scientific than particularly discomforting. Even as The Experiment moves