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There's always been something in the jangly tones of Brisbane indie-rock and pop bands that somehow separates them from the pent-up city vibes of their southern metro ... listen too. Riley Jones, Louis Forster and James Harrison have knack for those jangly tones — sonically their debut is neat, full of moody guitar noodles, pared back

that she is now in her '80s. She still has that strong and righteous tone capable of soaring notes as well as conveying more intimate heartache. This is something

magical delight supported by the whimsical soprano resonance of Prass' vocals. She issued jazz/classical tones and it was mesmerising the way she seduced the crowd, leaving them snared

rock  into some fantastic autumn party anthems", though the band have also " toned things down a little, delivering a quieter, more experimental and ultimately more reflective set". "Defiantly upbeat

expect from your set at Mojo Burning?  Big harmonies and dirty tones... a good start to the burning!!! What time and stage will you be playing at Mojo Burning

almost cartoonish levels, threatening to derail the thread of the tale and the dark tone. However The Legend Of Barney Thompson finds itself saved by two things. The first

celebrate iconic composer John Williams (who was up for his 50th nomination), or that tone-deaf joke  from Chris Rock about Asian child labour. Still, the ceremony wasn

with her voice, and the band's blend of indie-soul-pop set the tone for the remainder of the night. Nineteen-year-old Atlanta-raised musician Raury rocked