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Rogers isn't forced, rather arising from previous history. Best still that '70s tone of film (delving into a complex conspiratorial script, concentrating on story and character) is carried over

length, although he's gone widescreen with his production, adding in even lower bass tones than we previously thought were possible. Live instrumentation features on a few tracks

just feels and sounds so good. Opener ' Bow Out ' sets the pace and tone well as a rather typical hardcore song and is the longest running song at a whopping

been on location the whole time. It is Mullin's physicality and soft-spoken tone, peppered by enthusiasm and anxiety in equal measure, that most impresses, and makes us believe