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rock. They merge styles and eras together seamlessly — '90s alternative vocals, surfer-rock guitar tones and '70s pop, all topped off with catchy choruses. Their set includes debut single

when you listen to Jason Walker’s sometimes worn-but-never- quite-weary  tones, you somehow just know he’s lived this shit, whatever shit in his life ... that of its increasingly loathed bastard cousins alt.country and/or Americana, but somewhere in its tone – and certainly in the tone of the clip - this remains undeniably Australian, even

steady rhythm section. Even though there isn't much variation in tempo or tone, you can't help but be sucked in. They don't interact much with the audience

would be thinking that SKULS have tried to recreate the single whilst matching the tone of the original in the context of the rest of the album. However

love about this album is that it has a truly uplifting tone underlying its run time. The band seemingly deals with heavy themes of death and loss, but there