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Cavalera's bark neatly complements   Randy Blythe's (Lamb Of God) harsh tones on thrashed-up Dead Behind The Eyes,  and   Immolation's Ross Dolan lends guttural

Bassist Clay Gober  has never been this on-point before; his slapping, slides, tone, and rapid runs have never sounded this good. For instance, the triplets on ‘ G.O.A.T ’? Gnarly ... delirious tone in ' O.D. '? Killer! He and his bass really have their own place in the spotlight now alongside the guitars and that's genuinely great to see. Drummer Clay

time working on the words for that song, as I wanted to pitch the tone of it exactly right. It’s not actually supposed to be a harsh song though ... pleasantly surprised by the variety of things that were shared, which successfully represented the tone of the song too. Also, that video only cost me like $50 to shoot

each designed in such a way to amplify their respective song's meaning or tone. The logistics in changing props and dressings meant backing dances were left to entertain

different sonic elements, resulting in a dissonant palette. With its repetitive hook and monotonous tone, the track stands out as the EP’s weakest moment. Herrington redeems himself though with