Knee Deep

Although Casus' Knee Deep begins with performers (literally) walking on eggshells, this cautious beginning is no indication of the thrilling, no holds barred show that follows. It's surprising to learn that this daring and creative show is the Brisbane-based circus quartet's debut work. The ensemble, formed in 2011, have between them worked with Circa, Flying Fruit Fly Circus, Polytoxic and the Australian Opera. Their collective range of experience is evident in their skill and precision. Knee Deep blends more traditional circus acts with beautifully choreographed floor work bordering on contemporary dance. The piece plays with contrasts, exploring the performer's strength and fragility as they pushed their bodies to extremes. There are some breathtaking moments in the solo performances, although the ensemble work is the highlight. The way the performers' bodies move with and against each other is weirdly beautiful, as they switch effortlessly between fluid and rigid movements. The ensemble doesn't have clearly defined roles, as all of the performers engage equally. Their strong points come from collaborative aerial and floor work, and it is particularly impressive to see Emma Serjeant, the ensemble's only female member, lifting her male counterparts. Although some of the shifts in sound are quite jarring and the changes in musical styles don't quite gel, overall this is a remarkable piece. Honest, exhilarating and unique.

The Famous Spiegeltent to Sunday 17 March