Live Review: Gold Class, Mere Women

Trembling below scattered feet is the sound of a howling four-piece, Mere Women, who open this evening's showcase of their new split-7" single with Gold Class. The band perform under neon lights that frame the stage and continue to electrify. Beneath the smog, Numb (off the new split-7") is a welcome inclusion; several glassy eyes warm with tears while the beauty of this song flows with warm energy. These intertwining emotions bring their set to a subtle close.

Beating drums and the sharp fuzz of guitar riffs radiate, mixing with our anticipation and tapping feet. The neon-lit stage illuminates once more as Gold Class begin their powerful demonstration of contagious energy and impeccable songs. The venue's sound mix perfectly complements the band as the audience roars, their cheers and applause carrying through the entire set. With a focused mind and gaze, Adam Curley stares above the audience into an unknown abyss. He welcomes awed fans with a "hello, hello". Curley then removes his jacket and begins moving around the stage. Standout song Michael is given a delightful introduction that leads into pure musical dynamite, stunned eyes doing their best to memorise this band's stage presence.

"It's really nice to play with Mere Women, it's been a while," says Curley. Life As A Gun charges through the speakers as the crowd sings along and bops in unison to the rhythm section. A dedication to the late Melbourne musician Adrian Slattery is greeted with applause and a subtle sadness fills the air as Shingles (Stay A While) brings the evening to a close.

Our cheerful request for "one more song" is not granted by Gold Class. As we file out of the venue, strangers lock eyes to communicate a shared appreciation.