Kirin J CallinanArthur Russell's Instrumentals proved to be an inspiring musical affair, successfully recapturing the work of the illustrious yet still relatively unknown Arthur Russell. This celebration of Russell's career saw his music brought to life once more under the direction of Peter Gordon, who performed alongside numerous others of the original ensemble. Created in the mid-1970s, the current reworking of Instrumentals still managed to employ the characteristic energy and dark undertones that are considered commonplace within Russell's music.
The experimental, almost eerie qualities associated with his work shone through with subtle emanations of harmonica, soprano saxophone and organ melodies throughout the entire production. The use of trombone was particularly effective and highly reminiscent of his signature sound with a fitting solo two-thirds of the way through the performance. The undulating echo of the instrument slowly ceased and signalled the first interlude in the set after nearly a continuous hour on stage. The artists were received by a strong round of applause before they swiftly began the next instalment of their set.
The music was delicately supplemented by visuals designed by Kit Fitzgerald, who based the slides upon those inspired by and used in the original performance. Images of serene natural landscapes and colourful animated artworks were timed perfectly to the almost nondescript tempo changes orchestrated by Gordon, which would indicate the beginning of a new track. Combined, these effects significantly contributed to the complete submersion of the crowd despite the expanse of the recital hall.
The final track Is It All Over My Face completely diverged from the others and proved to be a fitting tribute to Russell's disco-inspired collaboration Loose Joints. Iconic Sydney showman Kirin J Callinan joined the band on stage to provide vocals for the song, an enthusiastic and playful finish to an overall compelling set. Arthur Russell may be lost to us, but he is certainly not forgotten.
