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Live Review: Angus & Julia Stone, Cloud Control, Little May, Jarryd James

28 February 2015 | 11:54 pm | Bryget Chrisfield

"It's heavenly."

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In Rod Laver Forecourt tonight it's fun to play 'pick the fan', for Drake's on at Rod Laver Arena (fans in urban threads) and Angus & Julia Stone take on Margaret Court Arena (hippie-garbed fans resemble these sibling idols). Like a clean and new mini Rod Laver Arena, Margaret Court Arena is a welcome addition to Melbourne's live music venue options. 

Jarryd James reminds us that getting to a gig in time to catch all supports is worthwhile. His voice has a James Vincent McMorrow vibe. All musicians onstage watch James intently to maximise the impact of each song. Seated behind the keys to perform a number, James is mesmerising. After watching over James' shoulder momentarily, the keys player steps back in and replaces James, taking his place on the stool without missing a note. James straps on his guitar and returns to the mic. His music is on point and don't say we didn't alert you to James' star potential. 

Closing with their triple j Like A Version, Icehouse's Great Southern Land, which is their finest moment although still not great, Little May provide a trajectory trough. 
 
Bassist Jeremy Kelshaw recently flew the coop, but Cloud Control still perform as a four-piece dealing glorious songs including Gold Canary and There's Nothing In The Water We Can't Fight. On vocals/keys Heidi Lenffer sports an adorable, checked, loose-fitting art smock-style minidress and her high pony tail bops along as she does. It's gonna take the band a while to regain the momentum Dream Cave attracted at the tail end of 2013, but they've got what it takes if all members are committed. 
 
Angus & Julia Stone commence with no fuss. Song two, My Word For, sees Julia kicking one ankle-booted leg up behind her, coquettishly, sometimes scraping the stage like an impatient filly. When Julia sings For You we wonder how the potential beau she penned this song for could resist! Especially this promise in the chorus: "You'll never have to go to work." Then Julia plays trumpet during Private Lawns and the crowd loses it. 
 
Paper Aeroplane puts us in a wonderfully meditative state before Julia introduces her next song, one from a movie she tells us she watched repeatedly on VHS growing up and that really affected her: You're The One That I Want (from Grease) - her version's impassioned conclusion is both surprising and impressive. And when Julia's visage is superimposed over images of sparkly strands on the backdrop screen, it's heavenly.
 
Simplicity works for Angus & Julia Stone and there's just enough interest happening via visual and lighting design without swamping their naturally endearing presence. And Julia has a gutsy way of playing guitar when required. Angus surveys the arena, "We have not played anywhere like this ever before. They should open the roof!" All Of Me (from their early EP Chocolates & Cigarettes) enthrals. Big Jet Plane transcends. 
 
For the encore, Cloud Control join Angus & Julia onstage to perform a rendition of Rock It by Little Red. The idea of performing a cover rather than have the Cloudies join them to sing an A&J song is great, but its execution somehow doesn't fulfil the promise. Little May also bound on toward the end of the song. It's the last night of this tour and Julia tells us they're all getting emotional before thanking us for being "fuckin' rad". Just the two siblings finish with Santa Monica Dream on acoustic guitar. There are beautiful vista visuals on the back screen, but calls from punters - "I love you," and even, "Youse are beautiful together!" - break the spell. Angus & Julia hug and then bow to finish.

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