
A lifelong love of music and writing consolidated when Bryget Chrisfield started penning live reviews for Inpress (now TheMusic) while studying Professional Writing & Editing at RMIT. After graduating, Bryget was initially employed as full-time staff writer before being promoted to Victorian editor of this national street press publication - now website - where she remained for over ten years. She is currently a freelance journalist - her byline appearing in publications including STACK, The Big Issue, The Music and Beat - and it is through interviewing musical geniuses that Bryget finds true happiness.
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“As a woman, it's quite often been, ‘You're old, you’re irrelevant and you're ugly. We don't wanna look at you,'" explains Myf Warhurst. "And that's changed.”

Kee’ahn’s talents reduced the late Uncle Archie Roach to tears and made them an obvious choice for Baker Boy’s sublime “Blak choir,” but who knew they nearly pursued a career in basketball?

As Baker Boy unleashes his latest LP, it's clear that his metamorphosis from the Fresh Prince of Arnhem Land to Global Hitmaking Superstar is complete.

“People are walking out of a symphony show with The Tea Party with tears running down their faces. It's that emotional, in a very positive way.”

“There's a lot of grief that's wrapped up with going back and trying to reconnect,” Bumpy says of returning to Noongar Boodja with her mother, “because you realise just how much more you've lost.”

To celebrate the tenth anniversary of Tame Impala’s third album, 'Currents,' we unpack the career-defining masterpiece that propelled Kevin Parker’s bedroom project to major international festival headliner status.

From worshipping Npcede and the Australian exclusive of Show Me The Body to enjoying a salted caramel and apple hot toddy, Dark Mofo retains its mysterious delights with its epic comeback.

Ahead of her 'Jeff Buckley's Grace Tour,' Katie Noonan examines Buckley's influence on her artistry, the challenges of singing his songs, and why she believes he was a "shredder."

Visuals? Not essential. Giant screens? Meh. All you really need is the legendary Billy Gibbons and his guitar wizardry.

“We’ve been the underdogs, but there’s power in that,” says Dallas Frasca.