A lifelong love of music and writing consolidated when Bryget Chrisfield started penning live reviews for Inpress (now TheMusic) while studying Professional Writing & Editing at RMIT. After graduating, Bryget was initially employed as full-time staff writer before being promoted to Victorian editor of this national street press publication - now website - where she remained for over ten years. She is currently a freelance journalist - her byline appearing in publications including STACK, The Big Issue, The Music and Beat - and it is through interviewing musical geniuses that Bryget finds true happiness.
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We already know what we're in for - timeless dancefloor bangers, fashion, pyrotechnics, mirrorballs - but here are The Music's ten special requests for Kylie's upcoming 'Tension Tour.'
Vocalist Athina Uh Oh on how Gut Health’s “melting pot of different backgrounds” feeds into their cathartic live shows, aesthetic and striking debut album, 'Stiletto'.
“Every artist is trying to get a viral moment with their song.”
According to Emma Donovan, Paul Grabowsky – her collaborator on 'The Old Rugged Cross' show – “hears this whole other world” while arranging music.
"I don't feel like I have to get anyone's approval for anything anymore, which is very freeing as far as creating art goes," Higgins said of her empowering new LP, 'The Second Act'.
With their 'Ensouled World Tour' taking over the Sydney Opera House and other Aussie venues, we can't wait to hear some of these The The songs live.
If Telenova hadn't formed, singer Angeline Armstrong says, "I think it's likely that I'd be disheartened with the music industry and probably doing film or something."
The Music has gathered our absolute fave mondegreens to save you the mortification during your next karaoke session.
At one point, Alma Zygier references the number of mirrors and cameras in the room—she deserves the limelight, so it's best she gets used to it.
"Some people may have thought, ‘Oh, Andrew Farriss tried his hand at country, and it got too hard, so he ran away’... No, no, no, no, no…"