Reviews / Album

Body Faucet offers up an outlandish infusion of afro-pop, electronica, dance, and anything ‘80s, and it’s guaranteed to get you moving.

They continue down their long-trodden path of grandiose garage rock, delivered dripping with attitude bordering on arrogance, but never without that all-pervading sense of rock’n’roll fun.

Real passion and dedication is painted with brush strokes here, a fine effort from one of the nation’s longest standing outfits.

Back with the old and a little of the new.

The live aspect of Tin Shed Tales actively captures the musical radiance and talent of the artist.

With a touch of prog-rock here and electronica there, the DIY mentality of Here Comes The Bombs makes for a very homely kind of rock record.

Bridge Nine's rawest release in years.

While some of Exister’s songs are forgettable, and the album is by no means the band’s best, it’s still great to have Hot Water Music back.

The songs are what they are – 13 Fats Domino classics that’d sound good as duets by Kim Beazley and Gary from Masterchef – but the spirit in the recordings is what’s truly special.

...ultimately the driving force of Heaven is the intelligently-crafted ballads powered by Leithauser’s voice and the crisp guitar work, which could easily stand alone as an instrumental record and function as the score to any indie film.