Daniel Cribb, Journalist

Frenzal Rhomb vocalist Jason Whalley tells Daniel Cribb about singing in tune 80 percent of the time and being blocked on Twitter by Russell Crowe.

Lawyer by day, international rock star by night, Mark Di Renzo manages to slip out of a business meeting to chat with Daniel Cribb about The Stanleys’ debut EP Always and the band’s somewhat backwards game plan.

Ash Grunwald is hoping for a musical revolution. His credit cards need one...

“I was really surprised, because I’m not really that good at it,” laughs San Cisco's Nick Gardner about his WAMi nomination for Best Bass Player. He joined five of Perth’s best musicians for a healthy debate about the WA music industry, in the lead up to this year's awards.

Despite being funny guys, Anti-Flag’s outspoken views mean the punk band are often seen as “political robots”, drummer Pat Thetic tells Daniel Cribb.

"With three security guards on stage, perhaps to compensate for the lack of a barrier and ensure that no pedals were stolen like the last time they played Perth, they smashed through a lively set..."

"It wasn’t long before the smallish stage they were running around on transformed into somewhat of a cage, restricting their energy like a bird unable to fully stretch its wings."

Turner’s voice was on overdrive the whole set. It’s surprising that someone’s vocal chords can produce such controlled intensity for such a long period of time

The fact that Pennywise didn’t really change their formula for their previous nine albums had its pros and cons