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Samson McDougall, Journalist
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View Samson McDougall's Profile
Features / Music
Think Music
“They’re not as savvy as other people. It’s not like anyone in a country town has ever heard of fuckin’ Die Antwoord or Lightning Bolt, you know what I mean?”
Features / Music
Transmission Reboot
"So much of what’s written about the band is total baloney."
Features / Music
Business Time
"I think it’s important to be creative; being active like that and just working your brain and your spirit, y’know – in a creative way."
News / Music
Mac DeMarco Ditched 'Weird Rock’n’Roll Motif' For Second Album
No more stereotypical leather boots
Features / Music
Return Of The Mac
"On the one hand I have these super great amazing perfect bands and on the other hand it’s bands with great songs that are pretty sloppy but they’re really cool."
Reviews / Live
Live Review: Batpiss, Ouch My Face
Burn Below fits this mould, enticing a few munters to shove each other about, and the extended wind-down fake-out makes the ballistic ending all the more sweet.
Features / Music
Country House
"There’s definitely some lyrics on the record that don’t have anything to do with the Paracosm idea, but sonically I think there is [a narrative thrust]."
Features / Music
Bloke's Blokes
"We’re not musos, we’re idiots; so maybe we took the edge off a lot of the seriousness of it. It’s not like we try to be clowns, we just are..."
Features / Music
School's Out Forever
“Sonically, they were very playful and there was a lot of our youth evident in the sound that we were making..."
Features / Music
Fuck This
"The thing about The Stiffys is that we’re not just some novelty band, we’re pouring our hearts out and just trying to express ourselves with our unique brand of rock’n’roll."
Reviews / Album
Album Review: Camperdown & Out - Couldn't Be Better
Nathan John Roche (Marf Loth) and Alex Kiers (Raw Prawn) show glimpses of songwriting shrewdness here, and have definitely done so via their other bands.
Reviews / Live
Live Review: Iggy & The Stooges
The crowd stand cheering as Watt and Dammit remain the last two battling it out on stage. At the death, Watt tosses his bass, bows, delicately places his glasses on his face and limps from the stage.
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