Hannah Blackburn, Journalist
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Live Review: Julia Jacklin, Middle Kids, Ryan Downey
"Jacklin has a timeless edge to her vocals."
Live Review: Sarah Blasko, Jack Colwell
"Bass guitar is changed out for double bass and we have a feeling we're about to get the anticipated classic Sarah Blasko show."
Live Review: Modest Mouse, Pearls
"... almost as if his sarcasm transforms into anger, Brock bursts into the next song, filling the room with his energy, and it's mesmerising."
Live Review: Harts, Apes, The Harlots
"He swings the guitar up behind his head and plays it upside down, resting on his shoulder."
Live Review: The Maccabees, The Creases
"There's no way you could deny the urge to rip up the dancefloor, thanks to their outrageously huge tracks and their involvement with the audience."
Live Review: Borns, Moses Gunn Collective
"He then stops to absorb the atmosphere and the crowd, who are blanketed in light."
Live Review: Kurt Vile & The Violators, Twerps
The celebrated US troubadour leaves Melbourne fans hoarse with ebullience at the city's Forum Theatre
Live Review: Father John Misty, Cam Avery
"Misty then returns to take the piss of the whole encore tradition by saying, "How could I possibly leave? I still have two folk bangers left."
Live Review: Sampa The Great, Vulture St Tape Gang, 30/70
"Sampa The Great is the definition of female domination."
Live Review: Noire, The Atlas Room
"The Shebeen band room acted like a little cave of moody sound landscapes and some incredibly talented female leads."
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